Your mood changes daily and Instagram nee Facebook wants you to choose a filter that will identify how you feel from healthy to unhealthy and this private data could be used by them for what ? – @AceFriendsNews

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#AceNewsDesk – Sept.04: The filter you choose on Instagram can reveal if you’re depressed

Editing a photo on Instagram doesn’t just enhance its colour and appeal; the filter you choose can reveal your mood.

A new study conducted by Andrew Reece of Harvard University and Chris Danforth of the University of Vermont, found that you can detect depression by analysing a person’s Instagram feed.

After collecting survey information and 43,950 Instagram photos from 166 volunteers recruited through Amazon’s Mechanical Turk, the researchers found that people who are depressed had pictures that were “bluer, grayer and darker.”insta-2.gif

PHOTO: WASHINGTON POST

Depressed participants in the study were also more likely to post more frequently and to apply more and different types of Instagram filters.

What was the most popular filter for people who are depressed? Inkwell, which turns colour photos into black and white.

Healthy” participants — people the study defined as not being depressed — favoured the Valencia filter, which, the study said, “lightens the tint of photos.

insta.gif

PHOTO: WASHINGTONPOST

The content of photos may also indicate depression.

Fewer faces may be an oblique indicator that depressed users interact in smaller social settings, which would be in accordance with research linking depression to reduced social interactivity,” wrote Reece and Danforth.

Take these findings with a grain of salt, however, since they have yet to be independently reviewed and the volunteers were crowd-sourced through Amazon’s Mechanical Turk, which tends to attract people with a lot of free time on their hands.

Editors Notes:

I would remind you that this blog is produced free for the public good and you are welcome to republish or re-use this article or any other material freely anywhere without requesting further permission.

News & Views welcome always published as long as NO bad language or is not related to subject matter.

To keep online information secure, experts recommend keeping your social media accounts private, changing your passwords often, and never answering unsolicited emails or phone calls asking for your personal information. Need help and guidance visit https://acepchelp.wordpress.com and leave a comment or send a private message on Telegram @Aceone31

Ace News Services Site Links Listed Here:

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BAHRAIN: Sixteen-year-old hip-hop artist Abdulrahman Al Sahaf, from Muharraq is preparing to release his own record label after his success recently – @AceFriendsNews

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#AceNewsDesk – Aug.29: Bahraini teen hip hop artist dreams of becoming the next Tupac!

A Bahraini teenager has set his sights on a music career and is preparing to launch his own label and an album.

Sixteen-year-old hip-hop artist Abdulrahman Al Sahaf, from Muharraq, has already had his music videos screened by Bahrain TV and performed at the Bahrain International Air Show in January.

Now he is preparing for the launch of his own label Last of a Dying Breed next month, as well as the release of a 12-track album called Diverse Thoughts – which will also feature two other artists with the label.

The hip hop artist is launching his new album in September. (www.thewrap.com)

5.png Copyright 2016 Al Hilal Publishing and Marketing Group

Editors Notes:

I would remind you that this blog is produced free for the public good and you are welcome to republish or re-use this article or any other material freely anywhere without requesting further permission.

News & Views welcome always published as long as NO bad language or is not related to subject matter.

To keep online information secure, experts recommend keeping your social media accounts private, changing your passwords often, and never answering unsolicited emails or phone calls asking for your personal information. Need help and guidance visit https://acepchelp.wordpress.com and leave a comment or send a private message on Telegram @Aceone31

Ace News Services Site Links Listed Here:

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Kanye West’s McDonald’s poem, illustrated just for you enjoy – @AceFriendsNews

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#AceNewsDesk – Aug.24: Kanye West’s McDonald’s poem, illustrated

Frank Ocean finally dropped his much-anticipated album Blonde this weekend, along with a limited companion zine called Boys Don’t Cry that came with some physical copies of the album. The zine features artwork from collaborators, personal essays and interviews, and a poem about McDonald’s by none other than Kanye West.

Accompanying the poem are artsy shots of Kanye picking up McDonald’s drive-thru in a very expensive-looking car, which, like, same. As a fellow McDonald’s lover, I felt moved by Kanye’s poem. So moved, in fact, that I decided to illustrate the story. You can read it as a bedtime story to your children or to yourself, if you need to be reminded of the dangerous temptation of McDonald’s fries.

Mcdonalds1mcdonalds2mcdonalds3mcdonalds4mcdonalds5mcdonalds6mcdonaldsmcdonalds8

So smooth.

Editors Notes:

I would remind you that this blog is produced free for the public good and you are welcome to republish or re-use this article or any other material freely anywhere without requesting further permission.

News & Views welcome always published as long as NO bad language or is not related to subject matter.

To keep online information secure, experts recommend keeping your social media accounts private, changing your passwords often, and never answering unsolicited emails or phone calls asking for your personal information. Need help and guidance visit https://acepchelp.wordpress.com and leave a comment or send a private message on Telegram @Aceone31

Ace News Services Site Links Listed Here:

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SOCIAL ANNOUNCEMENT: Twitter has announced two new settings that will allow users to control what they see in their feeds and what notifications they receive in the future – @AceFriendsNews

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#AceNewsDesk – Aug.24: Twitter unveils features to filter tweets, notifications

@AceTweetNews

https://acetwitternews.com/

Twitter says in a blog post that it has modified its notification settings to include the ability to see only notifications from people they follow. It’s also introducing what it calls a “quality filter” that it says can improve the quality of tweets users see. Twitter says the feature will filter out duplicate tweets or content that appears to be automated.

The announcement from San Francisco-based Twitter comes a month after “Saturday Night Live” and “Ghostbusters” star Leslie Jones publicly called on Twitter to do more to curb harassment on the platform. Twitter banned one user in response to the incident.

Editors Notes:

I would remind you that this blog is produced free for the public good and you are welcome to republish or re-use this article or any other material freely anywhere without requesting further permission.

News & Views welcome always published as long as NO bad language or is not related to subject matter.

To keep online information secure, experts recommend keeping your social media accounts private, changing your passwords often, and never answering unsolicited emails or phone calls asking for your personal information. Need help and guidance visit https://acepchelp.wordpress.com and leave a comment or send a private message on Telegram @Aceone31

Ace News Services Site Links Listed Here:

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SOCIAL ANNOUNCEMENT: Twitter’s night mode comes to iOS changing Light to Dark when you need it most – @AceFriendsNews

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#AceNewsDesk – Aug.24: Twitter’s night mode comes to iOS
twitter-night-mode-ios.jpg

It was only a matter of time before Twitter brought its night mode to iOS, and sure enough, it’s here. The social network has started rolling out a settings tweak that, like on Android, lets you shift to a darker color scheme to avoid straining your eyes (or because you prefer the look, of course). This definitely isn’t the first Twitter client on iOS to do a night mode, or even the best implementation — Tweetbot has had the option for ages, and it switches automatically based on time of day where Twitter asks you to toggle it manually. Still, it’s nice to see such a practical feature reach the widest audience possible.

Rolling out today – we’re bringing night mode to iOS! 🌙 https://t.co/XxNZHQdth9 pic.twitter.com/WLwKi4H0Oe

— Twitter (@twitter) August 22, 2016

Source: Twitter (1), (2)

Editors Notes:

I would remind you that this blog is produced free for the public good and you are welcome to republish or re-use this article or any other material freely anywhere without requesting further permission.

News & Views welcome always published as long as NO bad language or is not related to subject matter.

To keep online information secure, experts recommend keeping your social media accounts private, changing your passwords often, and never answering unsolicited emails or phone calls asking for your personal information. Need help and guidance visit https://acepchelp.wordpress.com and leave a comment or send a private message on Telegram @Aceone31

Ace News Services Site Links Listed Here:

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SOCIAL ANNOUNCEMENT: Today, we’re incredibly excited to announce that Instapaper is joining Pinteres t and thanks to all their readers for the last three years – @AceFriendsNews

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#AceNewsDesk – Aug.24: Today, we’re incredibly excited to announce that Instapaper is joining Pinterest.

In the three years since betaworks acquired Instapaper from Marco Arment, we’ve completely rewritten our backend, overhauled our mobile and web clients, improved parsing and search, and introduced tons of great features like highlights, text-to-speech, and speed reading to the product.

All of these features and developments revolved around the core mission of Instapaper, which is allowing our users to discover, save, and experience interesting web content. In that respect, there is a lot of overlap between Pinterest and Instapaper. Joining Pinterest provides us with the additional resources and experience necessary to achieve that shared mission on a much larger scale.
For you, the Instapaper end user and customer, nothing changes.

The Instapaper team will be moving from betaworks in New York City to Pinterest’s headquarters in San Francisco, and we’ll continue to make Instapaper a great place to save and read articles.

Lastly, and most importantly, we want to thank all of our readers for your support throughout the years.

Whether you supported us back when Marco built and ran Instapaper, from the betaworks acquisition, or just found out about us recently, we truly appreciate your continued support and look forward to bringing you the same great product at Pinterest.

If you have any questions at all, you can reply directly to this email or reach us at support
– Instapaper Team

Editors Notes:

I would remind you that this blog is produced free for the public good and you are welcome to republish or re-use this article or any other material freely anywhere without requesting further permission.

News & Views welcome always published as long as NO bad language or is not related to subject matter.

To keep online information secure, experts recommend keeping your social media accounts private, changing your passwords often, and never answering unsolicited emails or phone calls asking for your personal information. Need help and guidance visit https://acepchelp.wordpress.com and leave a comment or send a private message on Telegram @Aceone31

Ace News Services Site Links Listed Here:

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To celebrate the five year anniversary of the #Megaupload raids, in January 2017 Kim Dotcom hopes to deliver a brand new file-sharing system to the masses – TRF Report – @AceTweetNews

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#AceNewsDesk – Aug.20: Provisionally titled Megaupload 2.0, Dotcom says the system will take decentralization, anonymity & encryption “to the next level” by connecting file transfers to bitcoin transactions.

Importantly, the new iteration of Megaupload will launch with the original Megaupload’s user database, which could potentially mean 100 million users checking in shortly after launch. Unsurprisingly then, news of the project has been generating a lot of interest online, even before any hard technical details have been made public.

While Dotcom is yet to reveal any of his investment partners, he has just made a surprise announcement concerning who he won’t be doing business with. It began with a tweet in which Dotcom claimed he’d been offered cash to participate in what he saw as a “pump and dump” deal.

Stay away from $MGT. They offered $500k for a no-substance partnership announcement with the sole purpose to pump up $MGT stock. I declined.

— Kim Dotcom (@KimDotcom) August 17, 2016

The MGT to which Dotcom refers is MGT Capital Investments, a company which advertises itself as dealing with cyber threats “through advanced protection technologies for mobile and personal tech devices.” Early May, security expert John McAfee was confirmed as the company’s new CEO and a chaotic period of stock trading ensued.

So why was MGT trying to get involved with Megaupload 2.0? TorrentFreak spoke with Dotcom to find out more and it transpires some big numbers were involved.

“[MGT’s approach] was connected to the new businesses I’m working on. They offered to invest $30m in cash and $MGT stock. But after some due diligence it became clear that their offer was unrealistic,” Dotcom informs TF.

“They didn’t have the substance to make such an offer. When I questioned that they responded that the substance can be created by the partnership announcement. Meaning an increase in stock value which would make the stock component of the deal more valuable”

While $30m plus stock might sound like a lot, Dotcom said he poured cold water on the idea.

“I told them I’m not interested in pumping up $MGT stock and that they need to raise the money first before we can enter into any kind of agreement,” he explains.

Undeterred, MGT had another proposal for the Megaupload founder.

“Then they offered $500k for signing a Letter of Intent to be announced at a big press conference during Defcon. The whole thing was designed to drive up the $MGT stock price with no substance. We declined,” Dotcom says.

We asked Dotcom if John McAfee himself was aware of the deal being put on the table.

“John knows about this,” he told us. “In my opinion it was all about pump and dump. All they always talked about was the effect of previous announcements on the stock price. That’s not how you create value or run a business.”

But while Dotcom may not have liked the offer made by MGT, behind the scenes it appears that he had also irritated McAfee.

Eric J. Anderson (Eijah) is a former Rockstar games developer and the founder of anonymous information sharing app DemonSaw, a product endorsed by McAfee. Dotcom says he offered Anderson, McAfee’s friend and the CTO of MGT, an important job.

“I offered Eijah [the] CTO role at Megaupload 2.0 – he agreed. Mcafee goes mental, scares Eijah, making serious threats,” Dotcom reveals.

“I decided to come forward about $MGT when I witnessed how Mcafee abused Eijah. I’m not concerned about the fallout. I stand up for friends.”

And now it appears the touchpaper has been lit. In a message from McAfee last evening, the security expert warned Dotcom that things might get a little bumpy today.

I have decided to play video games all day tomorrow🙂 pic.twitter.com/RTm63PyBSL

— Kim Dotcom (@KimDotcom) August 17, 2016

Early reaction to Dotcom’s decision to go public about the MGT offer has been largely positive, with people praising the businessman for coming clean. However, Dotcom says his decision to go public could have its downsides.

“I had to say something. I know I’m exposing myself to attacks by $MGT but I had to go public. Based on everything I have learned about $MGT there is no substance, yet,” he says.

“They might create substance in the future. They might come up with real products that create real value. But at the moment they are focusing on making announcements to drive up the $MGT stock price instead of creating real value for investors. It’s unethical and that’s why we declined the money and I went public.”

TorrentFreak contacted MGT but the company did not respond to our request for comment.

Anti-Piracy Firm Rightcorp Continues to Lose Big Money

Posted: 17 Aug 2016 10:56 AM PDT

rightscorpFor several years, piracy monetization firm Rightscorp has been trying to turn piracy into profit.

The company sends DMCA notices to ISPs and bundles these with settlement demands, intended for Internet subscribers who allegedly shared pirated content. If the accused subscribers pay $30, they avoid further trouble.

Rightscorp works with prominent copyright holders including music licensing group BMG and movie studio Warner Bros. However, thus far they haven’t been able to turn their scheme into a success.

Instead, the company has been turning a loss quarter after quarter, a trend that continues with its most recent financial figures published this week.

According to the latest financial report, Rightscorp generated just $146,043 in revenue during the second quarter of 2016. That’s 38% less than the $233,816 it made during the same period last year.

The costs during the same period were substantial, $671,781, meaning that Rightscorp recorded a loss of over half a million during the past three months. A significant amount, but due to reduced operating expenses it’s better than the $1,7 million loss it recorded last year.

rightcorrevenueOne of Rightscorp’s problems, as previously highlighted, is that many ISPs refuse to forward their settlement requests. Some Internet providers flat-out refuse to forward Rightscorp’s notices and others, such as Comcast, remove the settlement part.

ISPs’ refusal to forward notices is also one of the reasons that was given for the disappointing numbers for the most recent quarter.

Rightscorp recently celebrated a court success, where Cox was ordered to pay $25 millionbecause they failed to properly respond to its DMCA notices. This prompted the anti-piracy firm to threaten every ISP in the country, but whether that will have any effect has yet to be seen.

Under U.S. law Internet providers are not required to forward DMCA notices to their subscribers, and if they choose to do so they can remove the settlement request. With this in mind, Rightscorp’s aggressive stance may actually work against them.

After losing the court case Cox has started to process Rightscorp’s notices, but whether they also forward the settlement requests is unknown.

Interestingly, the biggest settlement news of the year actually goes against Rightscorp. The company and several copyright holders, including Hollywood studio Warner Bros, previously agreed to settle a class-action lawsuit over intimidating robo-calls.

As a result, more than 2,000 accused pirates are eligible for a $100 settlement each, and according to the quarterly report Rightscorp has set aside $200,000 to cover these costs.

Ironically, that’s more than the revenue the company itself generated from settlements over the past several months

Posted: 18 Aug 2016 12:48 AM PDT

Editors Notes:

I would remind you that this blog is produced free for the public good and you are welcome to republish or re-use this article or any other material freely anywhere without requesting further permission.

News & Views welcome always published as long as NO bad language or is not related to subject matter.

To keep online information secure, experts recommend keeping your social media accounts private, changing your passwords often, and never answering unsolicited emails or phone calls asking for your personal information. Need help and guidance visit https://acepchelp.wordpress.com and leave a comment or send a private message on Telegram @Aceone31

Ace News Services Site Links Listed Here:

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#Rio2016 Part Three: Don’t always believe what the media hype says look deeper and you will find the saying this is next BIG THING vis’e ve the olympics and VR technology is only just the beginning and confusing WHAT ? – @AceTweetNews

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#AceNewsDesk – Aug.20: The Olympics Streams Aren’t VR, But They Are Paving The Way

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“I think we can do nothing to stop the march of time.” Capt deBoeldieu, “La Grande Illusion,”Réalisation d’art cinématographique (RAC), 1937

At FMS (Flash Memory Summit), I heard a lot of techie discussions on the inner workings of flash; but to me, what’s more important is what it will do for customers – business and individuals. So I looked forward to the session on Flash Is a Key to Augmented Reality on Wearables.

It was great by the way; but in the middle of it, Intel’s Chris Croteau stated that he wished people would quit making AR/VR (augmented reality/virtual reality) one word.

They’re different … trust me.

But right away I said to myself, “Hey I wish folks would quit calling 360 video 360VR or just VR.”

Yes, despite sucking up batteries and data plans, all that Rio Olympics stuff you streamed to your TV, computer, tablet and smartphone wasn’t really VR regardless of what NBC, Samsung (they really know better) and all the press hype told you. BBC was more forthcoming. They at least said it was their BBC Sports 360.

And just when you thought good enough was good enough; the video is being streamed in HD (high definition), not 4k; and in mono, not stereo.

Not that analysts and investors care. They like all the stuff with the R initial.

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AR/VR Forecasts – Most industry analysts (and manufacturers) project a fantastic future for AR and VR technology, which slip smoothly between the augmented and virtual worlds. Whatever you call it, it’s going to be huge!

They just pick the initials they like and say “yep, it’s gonna’ be huge!”

What do they care?

To them, everyone’s going to wear a mask (HMD – head mounted display).

But in the VR world…

Cameras are different, production workflow is different, distribution is different, viewing is different.

Other than that, they’re exactly the same!

Most of the 360 video cameras on the market are not cameras, but rather an array of cameras, stuck together in a particular orientation to capture enough overlap for stitching (putting them together into a single shot).

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Your Rig May Vary – For a recent 360 streaming project, Nick used an A7Sii rig, courtesy of KonceptVR. He is constantly testing new 360 camera offerings and develops/modifies rigs to deliver the best UX (user experience).

Nick Bicanic, RVLVR Labs, likes to configure his own camera sets as he did for a recent TV degment he completed on the East Coast that will air later this year.

A creative guy in the creative world, he has also been known to put together a bunch of GoPro cameras and ripping off the stock lenses and replacing them with modified fisheye lenses

There are issues using 6-14 separate cameras, so you end up with one unified shot. Nick and others spend the majority of their time and money in the post production phase stitching the various camera frames together into one seamless 360 degree frame.

For the most part, the same is true for 360 degree and VR cameras from firms like Jaunt, Nokia, Samsung and others determined to be first to market with equipment people want for professional and amateur filmmakers (how can we forget the marvelous YouTube, Facebook video shooters, showers).

Nick emphasized that stitching is a multistep process. The cameras footage is brought into software and you merge the video streams together. That can cost $10,000 per finished minute and more hours and hours of work.

Once stitching is done, you’re about 90 percent there for the film,” he said. “The last 10 percent is compositing, rotoscoping and other somewhat traditional editing/post work. That’s the hard and creative stuff.”

The recently announced Sphericam 360/VR camera is said to address this major pain point by including software in the camera that automatically stitches the lens frames into a single frame. Solutions like this will be in big demand once you’ve done a couple of 360 or VR projects.

With a 360-degree environment like the one you saw if you watched any of the streaming video from the Olympics, viewers can look anywhere,

A number of filmmakers say because of that, you can’t really produce a show/film that directs viewer’s attention and you can’t frame scenes anymore; you simply shoot and turn it over to the viewer to control the story.

Lewis Smithingham, who has been shooting/producing 360 and VR projects for more than three years, disagrees.

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Leading in VR – The easiest way for Lewis to explain how the filmmaker can encourage virtual viewers is that it’s very similar to the way he gets his cat to follow a laser pointer with subtle guides.

There’s a difference .. a big difference.

While viewing the streamed Rio activities, you were in the center of things and the athletes were pushing themselves to the limit around you.

But drop into Jurassic World or Fox’s The Martian VR Experience and you immediately immerse yourself in the scene and the action. You can almost feel the hot breath of the dinosaur. You begin to sweat moving the solar panels before the sandstorm hits you. You can hear, feel the sounds in you and all around you.

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Immersive VR – A well-produced VR film puts the viewer right in the center of the action so he/she can “feel” all of the experiences.

That’s VR!

Right now, only a few in the industry are focused on mastering 360 video and VR. Most content shooters and producers are still focused on the broader audience and their hunger for 4K HDR (high dynamic range) creative work.

Why?

Several reasons.

It’s about artistic development and the creative folks figuring out the best way to give you an experience that is more than just seeing a flat film in 360 degrees. This takes a long time.

There’s a big gap that needs to be filled to develop convincing and truly immersive VR films. Even Nick and Lewis agree that it’s going to take years for it to emerge to avoid the foibles of stuff like 3D.

The producers of the Conan 360 show and Lewis set pretty tough benchmarks for their show and Conan O’Brien should be commended for being ahead of the curve in keeping people seated with their Samsung Gear, Google Cardboard or other VR HMDs.

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Fast 360 Production – For a segment of Conan 360, Lewis and his “30ninjas” team captured volumes of content and then quickly stitched and post produced the segment. O’Brian is already a huge fan of 360 video and getting his audience in the center of the action.

But still, it required a tremendous amount of great shooting and fast stitching/post work.

For the half-hour show, they captured over 20TB of data a day, used a high-performance Dell system and stacks of high-speed, high-performance OWC SSDs (solid-state drives) and cases of Red Bull to enthrall the few million folks who tuned in to enjoy action in the round.

Then too, there’s the little issue of streaming the content.

Olympic Broadcasting Services CEO Yiannis Exarchos might have been overly optimistic when he said, “VR technology carries incredible potential for the sport broadcast industry, offering a truly immersive Olympic Games experience for hundreds of millions of people around the world.

It requires a couple of megs to stream HD content (including 360 like the Rio games) or YouTube/Facebook videos.

4K is four times the resolution of 1080p HD video. Add HDR and you add 2X the content to be streamed. VR produces about 10X that volume of content.

The best digital video codecs (code-decode) like H.265 do a good job compressing/decompressing video so it can be streamed smoothly over the internet, but the recommended minimum download speed is still 25mbps for 4K.

And that assumes you’re the only one connected to the Internet with your device, which is a little selfish of you.

Heck, you probably don’t even care that CDN (content distribution network) Akamai and Microsoft Azure were the folks delivering all of the Olympic 360 video games to your iPhone.

But the grunt work hasn’t been easy.

Both of them should know because they’ve been delivering high-value sports events since the 2008 Beijing Olympics.

The Internet infrastructure has improved a lot since 2008 and that’s a good thing because people expect to stream – without any jitter or buggering – all of the action whether they’re watching it OTT (over the top) in 4K or 360 video to their device.

That takes a lot of work because the Internet still can’t deliver 25mbps streams globally.

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Stream Speeds – Service providers around the globe are making tremendous strides in delivering what the industry considers the best speed for smooth video streaming. The industry has said that 25Mbps downstream is best to deliver flawless 4K or 360 video streams. Of course, your performance may vary.

In fact, where you live may still be “a little” shy on video stream performance; but it’s sorta’, kinda’ getting better.

They’ve already seen peak traffic of 7.2Tbps and both firms expect that to be the norm as 4K and 360 video become standard viewing fare.

Of course, the 360 video of the Olympic events or Facebook aren’t VR any more than Pokémon Go is AR.

Still, both of them are making AR and VR more acceptable and opening the doors for the real stuff and product/ marketing opportunities.

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That’s great news for visual storytellers (filmmakers), but there will always be some like Lt.

Maréchal who said, “The theater’s too deep for me. I prefer bicycling.”

If you want a quick visual explanation of VR vs. 360, check out Sarah Ullman’s info graphics on Videoink.

Courtesy of Anonymous Source sent to me to post for you my readers … Editor

Editors Notes:

I would remind you that this blog is produced free for the public good and you are welcome to republish or re-use this article or any other material freely anywhere without requesting further permission.

News & Views welcome always published as long as NO bad language or is not related to subject matter.

To keep online information secure, experts recommend keeping your social media accounts private, changing your passwords often, and never answering unsolicited emails or phone calls asking for your personal information. Need help and guidance visit https://acepchelp.wordpress.com and leave a comment or send a private message on Telegram @Aceone31

Ace News Services Site Links Listed Here:

AceTweet This News

#Rio2016 Part Two The use of Olympic materials turned into animated graphic formats like GIF, GFY or WebM, a s well as short video formats like Vine, are expressly forbidden,” a Committee statement reads – @Ac eTweetNews

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#AceNewsDesk – Aug.20: Due to their very nature, the Olympic Games are often considered to belong to the people. With competitors from every corner of the world, the Olympics is a celebration of sport on a truly global scale.

Sorry it does not move or is a video …

But while the utopian dream is one of beauty, the reality is that the Olympics are massively commercialized with billions of dollars at stake. And when sums of that scale hang in the balance, corporations go all out to protect their interests.

Earlier this week we reported https://acenewsdesk.wordpress.com/2016/08/17/rio2016-report-over-the-past-week-the-ioc-has-sent-hundreds-of-takedown-notices-to-twitter-periscope-targeting-live-streams-of-the-rio2016-olympics-acetweetnews how the International Olympic Committee (IOC) has been sending takedown requests to Twitter after Periscope users streamed Olympic events online without permission.

Now it appears that people much higher up the food chain have fallen foul of the strict licensing framework put in place by the IOC.

According to a report by Mexico’s Eluniversal, the Rio Organizing Committee has taken the decision to withdraw press credentials from Mexico’s National Commission of Physical Culture and Sports (Conade) following a copyright dispute.

The publication says that Conade violated licensing conditions put in place by the International Olympic Committee (IOC) after one of its members filmed the gymnast Alexa Moreno using a cellphone. The video was subsequently posted to social media.

According to the Committee, Conade failed to obtain the necessary rights to broadcast Olympic content, so in retaliation nine Conade members, who work for the Mexican government, had their press credentials taken away.

“The use of Olympic materials turned into animated graphic formats like GIF, GFY or WebM, as well as short video formats like Vine, are expressly forbidden,” a Committee statement reads.

While the Committee probably felt it needed to set an example, taking away the credentials of the Conade staff will be felt back home in Mexico. Conade is the arm of the Mexican government charged with promoting physical education and sport in the country. Before their punishment, they were also the conduit between the Games and their countrymen.

But while the Rio Organizing Committee punishes the whole of Mexico for the sharing of a single video, thousands of people are sharing recorded events at will on sites such as The Pirate Bay.

The real action, however, is taking place on the thousands of streaming sites currently in operation. In addition to web-browser based services, users of Kodi with the correct plug-ins have continuous access to live Olympic events, often in HD quality, no matter where they are in the world. Rio can do absolutely nothing about that.

Anonymous via Torrent Freak …

Editors Notes:

I would remind you that this blog is produced free for the public good and you are welcome to republish or re-use this article or any other material freely anywhere without requesting further permission.

News & Views welcome always published as long as NO bad language or is not related to subject matter.

To keep online information secure, experts recommend keeping your social media accounts private, changing your passwords often, and never answering unsolicited emails or phone calls asking for your personal information. Need help and guidance visit https://acepchelp.wordpress.com and leave a comment or send a private message on Telegram @Aceone31

Ace News Services Site Links Listed Here:

AceTweet This News

#Rio2016 Report: Over the past week the #IOC has sent hundreds of takedown notices to #Twitter #Periscope, targeting live streams of the #Rio2016 OLYMPICS – @AceTweetNews

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perigone#AceNewsDesk – Aug.17: The International Olympic Committee (IOC) is known to maintain a tight grip on its intellectual property rights.

Using an image of the Olympic rings or even just the world ‘Olympic’ can lead to legal trouble, especially in a commercial context.

Most valuable, however, are the broadcast rights. With literally billions of dollars at stake, the IOC is going all out to prevent people from streaming its events without permission.

In previous years we’ve seen a crackdown on torrents, with the IOC targeting The Pirate Bay. Nowadays, however, live streaming appears to be a bigger target, including homemade rebroadcasts using #Twitter’s #Periscope.

Over the past week the #IOC has sent hundreds of takedown notices to #Periscope, targeting live streams of the #Rio2016 Olympics.

While most #Periscope streams are of a horrible quality, with only a few dozen viewers, they’re seen as a legitimate threat. As a result, the #IOC has hired a dedicated team of investigators to track down and report these and other unauthorized streams.

At the time of writing, #Periscope has received around 1,000 takedown requests from the #IOC for infringing footage from Rio, and this number continues to rise.

Periscope Olympics

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#Periscope is the only live streaming service that publicly shares its takedown notices with the Lumen database but it’s safe to say that the #IOC also targets other sites and services. These include dedicated sports streaming sites offering high-quality streams.

Besides the rebroadcasting of the official TV-signal, the #IOC also explicitly forbids the use of #Periscope and similar apps to broadcast footage at official Olympic venues. This means that visitors and accredited persons are not allowed to live-stream inside any of the stadiums.

Broadcasting images via live-streaming applications (e.g. Periscope, Meerkat) is prohibited inside Olympic venues,” IOC’s digital media guidelines state (pdf).

Rules or no rules, it appears that thousands of #Periscope users are happily streaming live events. And even if they all stopped, the anti-piracy efforts seem rather futile.

Besides homebrew live-streams there are numerous dedicated streaming sites that continue to offer high-quality footage of the Olympics.

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